June 30th - September 4th, 2022
While spying on their wives at a "Girls' Night Out," a group of unemployed steelworkers from Buffalo see how much the women enjoy watching male strippers. Jealous, out of work, and feeling emasculated, the men come up with a bold and unclothed way to make some quick cash - a strip show of their own. Based on the cult hit film of the same name, The Full Monty, a ten-time Tony Award nominee, is filled with honest affection, engaging melodies and the most highly anticipated closing number of any show.
With music and lyrics by David Yazbek, The Full Monty has crowd pleasing tunes like 'Life with Harold' and 'Breeze off the River'
Were it a movie, The Full Monty would be rated R, with coarse language, adult themes and nudity.
$43 A Level Seating / $39 B Level Seating / $29 C Level Seating
All matinees start at 1 pm and all evening shows start at 8pm
Praise from our Facebook page:
"Saw it and loved it on opening night!"
"It’s a great show."
"Fabulous opening. Such a fun show. Congratulations."
"It was great, so glad I went, will be back soon"
"First time going and it was awesome! 3 members were out, but you couldn’t tell. Everyone was phenomenal!"
Leland is joining the OCT performance team for the first time. He is a native of Upland, CA but has lived the past decade in New York City. London credits include Blues for Mister Charlie (Ellis). National Tour Credits include Mamma Mia (Sam), Rock of Ages (Dennis), Saturday Night Fever (Monty/Frank Sr.). Other regional credits include Hunchback of Notre Dame (Phoebus), The Best Little Whorehouse In Texas (Sheriff Ed Earl), The Little Mermaid (King Triton), The Who's Tommy (Captain Walker), The Full Monty (Jerry), Loving Repeating (Man 1), Wait Until Dark (Mike). Leland received a BA from the Guildford School of Acting, England.
Alex is returning to the Oregon Cabaret stage. Prior OCT credits include Wallace Ainsley in Miracle on 34th Street, Dr Everett Scott/Eddie in Rocky Horror 2019, Dr Everett Scott in Rocky Horror 2018 and 2017, Harry in Mamma Mia!, Brian in Avenue Q. Other regional credits include Robert Kincaid in Bridges of Madison County, Angus Tuck in Tuck Everlasting, Jack in Leading Ladies (Collaborative Theatre Project); Guildenstern in Rosencrantz and Guildenstern are Dead, Ransome Foster in The Man Who Shot Liberty Valance (Camelot Theatre); Professor Bhaer in Little Women (Randall Theatre); Dr. Madden in Next to Normal (Next Stage). He has also served as Co-Director of Little Women (Randall Theatre). Alex would like to thank his wife “for everything because nothing would be possible without her.”
Galloway was last seen on the OCT stage as the title role in Sweeney Todd. Other OCT credits include Sagot in Picasso At The Lapin Agile, Sam Phillips in Million Dollar Quartet, The Emcee in Cabaret, Franklin Hart, Jr. in 9 to 5, Billy Flynn in Chicago, Adolpho in The Drowsy Chaperone. Galloway has also directed OCT’s past productions of Avenue Q and Miracle On 34th Street - A Radio Play. Other regional performance credits include Don Quixote in The Man of La Mancha (Harlequin Productions); Jud Fry in Oklahoma! (Pacific Conservatory Theatre); Gomez Addams in The Addams Family (Temple Theatre Company). Other regional directing credits include Andrew Lloyd Webber’s Cats (Lees-McRae Summer); The 25th Annual Putnam County Spelling Bee, The Andrews Brothers, and A Christmas Carol (Prather Entertainment); Grease, Ring of Fire, and South Pacific (Jenny Wiley Theatre). Instagram @thegallo_way.
Austin is a native of McMinnville, OR and is performing for the first time on the OCT stage. Other regional and educational credits include Louis Ironson in Angels in America: Millennium Approaches** & Perestroika; Cinderella’s Prince in Into The Woods (The Oregon Center for the Arts), as well as Odysseus Rex in Year of the Rooster and Cliff Bradshaw in Cabaret (Workshop) at SOU; Dottore in La Commedia dell’Arte Green Show (Oregon Shakespeare Festival); Death/Prince Sirki in Death Takes a Holiday (Collaborative Theatre Project). Austin received hi B.F.A in Theatre Arts at The Oregon Center for the Arts at Southern Oregon University.
AUSTIN ROBERT MILLER
Austin is returning to the OCT team after serving as an understudy in last season’s Sherlock Holmes and The Sign of the Four. Prior OCT credits also include Every Christmas Story Ever Told. A native of Simi Valley, CA he has recently moved to Phoenix, OR. Other performance credits include Sir Robin (Spamalot), Igor (Young Frankenstein the Musical), Jamie (Last 5 Years), Earnest (The Importance of Being Earnest), Claudio (Much Ado About Nothing) , The Cat in the Hat (Suessical).
Presila hails from Philadelphia, PA but has been residing in Ashland for the past twenty years. Broadway credits include Meet Me In St. Louis and The Secret Garden. Other favorite roles include Margaret in Walter Cronkite Is Dead, Chris in Calendar Girls, Ethel in On Golden Pond, Amanda in The Glass Menagerie. “Bil Leonhart, I will always love you.”
Asha returns to the Oregon Cabaret stage. Prior OCT credits include Lin in The Great American Trailer Park Musical, Gina in Beehive the 60s Musical, and Gary Coleman in Avenue Q. Other regional performance credits include Oda Mae in Ghost The Musical (Titusville Playhouse); Trix in The Drowsy Chaperone (The Dutch Apple); Trio singer in After Midnight, Paulette in Legally Blonde (Norwegian Cruise Lines); Bertha in Dreamland Drive-in (Dollywood). She holds a BFA Musical Theater from Shorter College in Rome, GA. Asha would like to give “A big ‘thank you’ my family and friends for all of the love and support, and to the Oregon Cabaret Theatre for being such an important home away from home.”
Stephanie is returning to Oregon Cabaret Theatre. She is originally from Bakersfield, California but has been living in and around the Rogue Valley, Oregon for six years now. Prior OCT credits include Kitty in The Drowsy Chaperone and Margaret in 9 to 5 the Musical. “I hope you all enjoy this show as much as we have. Thank you to Irene and Carl who continue to be my biggest fans.”
Mia is returning to Oregon Cabaret after appearing in past productions of Rocky as both Columbia (2018) and Janet (2019). She is originally from Los Angeles, CA but has lived in Ashland for eight years. Other OCT credits include Sally in Whodunit, and the Naughty But Nice Cabaret. Other regional credits include Esmeralda in Hunchback of Notre Dame, Charlotte in A Little Night Music (Camelot Theatre), Maggie in Lend Me a Tenor the Musical, Meg in Leading Ladies (Collaborative Theatre Project), Audrey in Little Shop of Horrors, Elizabeth in Young Frankenstein (Randall Theatre), Lucy in Avenue Q (TheatreOUT OC) and Charlotte in the musical adaptation of Charlotte's Web (Laguna Playhouse). “Huge love to my family for making the journey to see the show, and to Ben for all of his love and support!”
Production Team and more cast bios coming soon...