June 30th - September 4th, 2022
While spying on their wives at a "Girls' Night Out," a group of unemployed steelworkers from Buffalo see how much the women enjoy watching male strippers. Jealous, out of work, and feeling emasculated, the men come up with a bold and unclothed way to make some quick cash - a strip show of their own. Based on the cult hit film of the same name, The Full Monty, a ten-time Tony Award nominee, is filled with honest affection, engaging melodies and the most highly anticipated closing number of any show.
With music and lyrics by David Yazbek, The Full Monty has crowd pleasing tunes like 'Life with Harold' and 'Breeze off the River'
Were it a movie, The Full Monty would be rated R, with coarse language, adult themes and nudity.
$43 A Level Seating / $39 B Level Seating / $29 C Level Seating
All matinees start at 1 pm and all evening shows start at 8pm
My boyfriend and I have been coming here for a couple years now; whenever we want to see a good show. I absolutely love this place. Everyone is super friendly and they always let u know just how much they appreciate your business. We went and saw The Full Monty last night and it is now my new favorite!!!! Definitely check it out. The show was alluring but also very comical; I couldn't stop laughing. The food is amazing 👏 😋 So make sure to get the dinner reservation when you book your ticket. I like how the menu changes and the food goes with the show. The attention to detail is impeccable.
We had a great time watching the Full Monty. Hilarious and entertaining.
"Both a tender story of relationships and a raucous comedy, "The Full Monty" is a decidedly cheeky good time."
Praise from our Facebook page:
"Saw it and loved it on opening night!"
"Incredible opening night of The Full Monty at the Oregon Cabaret Theatre! The audience is going crazy and the actors are crushing it!"
"Opening Night was awesome!"
"It was so fun to just laugh & laugh! And appreciate this show!"
"It’s a great show."
"Folks in the Rogue Valley, get your tickets for an awesome show."
"I was laughing so hard I was crying highly recommend! Will definitely be going again and definitely one of my favorite shows! Cast was very brave and incredibly talented and hilarious"
"Saw the matinee today. So enjoyable we may go back to see it again!"
"Fabulous opening. Such a fun show. Congratulations."
"We went to the matinee today and it was fantastic. I couldn't quit laughing. Yep I was in the front row hooting and encouraging those real men....good job everyone."
"It was great, so glad I went, will be back soon"
"We attended last night it was a romp a hoot and simply fantastic. Talented crew. I had forgotten how sweet the story really is. Don’t wait."
"I just saw this fantastic show! Understudies were absolutely wonderful as were all actors. What a rip roaring, laugh it up, love every scene, good time."
"Great show! We've seen it - loved it! Make plans to see it - or- you'll regret it."
"I attended and plan to see more!"
"It was fantastic!"
"It was sooo good."
"It's a fantastic show you all must go see it... super fun"
"We saw Wednesday 7/20’s performance. A wonderful show with a wonderful cast! Thank you all for a great evening!"
"This is an amazing cast and show! Cant wait to see it again!!!"
"Went this past Friday night! A must see!"
"👀💜FULL MONTY CABARET💜👀 was a sight for sore eyes. Yet again, the @oregoncabaret had Rushmore members loosening our belts with belly laughs."
"First time going and it was awesome! 3 members were out, but you couldn’t tell. Everyone was phenomenal!"
Leland is joining the OCT performance team for the first time. He is a native of Upland, CA but has lived the past decade in New York City. London credits include Blues for Mister Charlie (Ellis). National Tour Credits include Mamma Mia (Sam), Rock of Ages (Dennis), Saturday Night Fever (Monty/Frank Sr.). Other regional credits include Hunchback of Notre Dame (Phoebus), The Best Little Whorehouse In Texas (Sheriff Ed Earl), The Little Mermaid (King Triton), The Who's Tommy (Captain Walker), The Full Monty (Jerry), Loving Repeating (Man 1), Wait Until Dark (Mike). Leland received a BA from the Guildford School of Acting, England.
Alex is returning to the Oregon Cabaret stage. Prior OCT credits include Wallace Ainsley in Miracle on 34th Street, Dr Everett Scott/Eddie in Rocky Horror 2019, Dr Everett Scott in Rocky Horror 2018 and 2017, Harry in Mamma Mia!, Brian in Avenue Q. Other regional credits include Robert Kincaid in Bridges of Madison County, Angus Tuck in Tuck Everlasting, Jack in Leading Ladies (Collaborative Theatre Project); Guildenstern in Rosencrantz and Guildenstern are Dead, Ransome Foster in The Man Who Shot Liberty Valance (Camelot Theatre); Professor Bhaer in Little Women (Randall Theatre); Dr. Madden in Next to Normal (Next Stage). He has also served as Co-Director of Little Women (Randall Theatre). Alex would like to thank his wife “for everything because nothing would be possible without her.”
Galloway was last seen on the OCT stage as the title role in Sweeney Todd. Other OCT credits include Sagot in Picasso At The Lapin Agile, Sam Phillips in Million Dollar Quartet, The Emcee in Cabaret, Franklin Hart, Jr. in 9 to 5, Billy Flynn in Chicago, Adolpho in The Drowsy Chaperone. Galloway has also directed OCT’s past productions of Avenue Q and Miracle On 34th Street - A Radio Play. Other regional performance credits include Don Quixote in The Man of La Mancha (Harlequin Productions); Jud Fry in Oklahoma! (Pacific Conservatory Theatre); Gomez Addams in The Addams Family (Temple Theatre Company). Other regional directing credits include Andrew Lloyd Webber’s Cats (Lees-McRae Summer); The 25th Annual Putnam County Spelling Bee, The Andrews Brothers, and A Christmas Carol (Prather Entertainment); Grease, Ring of Fire, and South Pacific (Jenny Wiley Theatre). Instagram @thegallo_way.
Austin is originally from McMinnville, OR but comes to us after spending their first year in Brooklyn, NY. Prior OCT credits include Producer/"Dandy Lyon" in HalloQUEEN Drag Show. Other regional performance credits include Dottore in Commedia Green Show, Francis Flute/Fairy Understudy in Midsummer Night's Dream (Oregon Shakespeare Festival); Louis Ironson in Angels in America, Cinderella's Prince in Into the Woods, Cliff Bradshaw in Cabaret (Southern Oregon University); Death in Death Takes a Holiday (Collaborative Theatre Project). “All my love to my incredible family. Your unending support makes my dreams possible & I cannot thank you enough for that.”
AUSTIN ROBERT MILLER
Austin is returning to the OCT team after serving as an understudy in last season’s Sherlock Holmes and The Sign of the Four. Prior OCT credits also include Every Christmas Story Ever Told. A native of Simi Valley, CA he has recently moved to Phoenix, OR. Other performance credits include Sir Robin (Spamalot), Igor (Young Frankenstein the Musical), Jamie (Last 5 Years), Earnest (The Importance of Being Earnest), Claudio (Much Ado About Nothing) , The Cat in the Hat (Suessical).
Presila hails from Philadelphia, PA but has been residing in Ashland for the past twenty years. Broadway credits include Meet Me In St. Louis and The Secret Garden. Other favorite roles include Margaret in Walter Cronkite Is Dead, Chris in Calendar Girls, Ethel in On Golden Pond, Amanda in The Glass Menagerie. “Bil Leonhart, I will always love you.”
Asha returns to the Oregon Cabaret stage. Prior OCT credits include Lin in The Great American Trailer Park Musical, Gina in Beehive the 60s Musical, and Gary Coleman in Avenue Q. Other regional performance credits include Oda Mae in Ghost The Musical (Titusville Playhouse); Trix in The Drowsy Chaperone (The Dutch Apple); Trio singer in After Midnight, Paulette in Legally Blonde (Norwegian Cruise Lines); Bertha in Dreamland Drive-in (Dollywood). She holds a BFA Musical Theater from Shorter College in Rome, GA. Asha would like to give “A big ‘thank you’ my family and friends for all of the love and support, and to the Oregon Cabaret Theatre for being such an important home away from home.”
Stephanie is returning to Oregon Cabaret Theatre. She is originally from Bakersfield, California but has been living in and around the Rogue Valley, Oregon for six years now. Prior OCT credits include Kitty in The Drowsy Chaperone and Margaret in 9 to 5 the Musical. “I hope you all enjoy this show as much as we have. Thank you to Irene and Carl who continue to be my biggest fans.”
Mia is returning to Oregon Cabaret after appearing in past productions of Rocky as both Columbia (2018) and Janet (2019). She is originally from Los Angeles, CA but has lived in Ashland for eight years. Other OCT credits include Sally in Whodunit, and the Naughty But Nice Cabaret. Other regional credits include Esmeralda in Hunchback of Notre Dame, Charlotte in A Little Night Music (Camelot Theatre), Maggie in Lend Me a Tenor the Musical, Meg in Leading Ladies (Collaborative Theatre Project), Audrey in Little Shop of Horrors, Elizabeth in Young Frankenstein (Randall Theatre), Lucy in Avenue Q (TheatreOUT OC) and Charlotte in the musical adaptation of Charlotte's Web (Laguna Playhouse). “Huge love to my family for making the journey to see the show, and to Ben for all of his love and support!”
Rose is returning to Oregon Cabaret Theatre after serving as Understudy for Rosie and Tanya in the summer hit Mamma Mia! She is originally from Springfield, Oregon but has been residing in Medford, Oregon for sixteen years. Other regional performance credits include Rona Lisa in The 25th Annual Putnam County Spelling Bee (Next Stage Repertory Theatre); Desiree in A Little Night Music; Fanny in Funny Girl; Meg Brockie in Brigadoon; Maria in The Sound of Music; Liza in Spotlight on Liza Minnelli (Camelot Theatre Company); Maria Merelli in Lend Me A Tenor: The Musical; Snow Queen in The Snow Queen (Collaborative Theatre Project). “Many thanks to OCT for this fantastic adventure! For AJ: love you more than ice cream.”
Brian joins us for the first time from New York City. Brian is very excited to make their debut performance in Ashland and even more excited to bring this fun show with joy to our patrons. Previous performance credits include ; Passing Strange, Rocktopia (Broadway), Elf, Smokey Joe’s Cafe, Big River, Memphis, Showboat, Annie, Full Monty, Gentlemen’s Guide to Love and Murder. Glory to God for these blessings. “Thank you to my very supportive partner Carlos, friends and family Follow me on IG @Bmackinnnard”
Tony returns to the OCT stage after appearing as Sky in Mamma Mia! Other OCT credits include Billy in Musical of Musicals the Musical, Rick Taylor in Batboy, Rocky in Rocky Horror Show (2016 & 2017), Brent in Pine Mountain Lodge, Sir Henry in Baskerville, Kodaly in She Loves Me. Other regional performance credits include Lumiere in Beauty and the Beast (Drury Lane Oakbrook), Oliver in As You Like It (Chicago Shakespeare Theatre), Freddy in Dirty Rotten Scoundrels (Actors Theatre of Indiana), other regional work at Utah Shakespeare Festival, PCPA: Pacific Conservatory Theatre, Utah Festival Opera, and Milwaukee Repertory Theatre. “So excited to be back in Ashland after a few years away, this town always feels like home!”
Justin returns to the OCT stage after last being seen as Hautet, Stonor, Durand, Conneau in Poirot: Murder On The Links, and The Narrator in the 2019 production of The Rocky Horror Show. Other OCT credits include understudying Harry & Bill in Mamma Mia!, and Clown 1 in The 39 Steps. Other regional performance credits include Bud in Bridges of Madison County, Vittorio in Death Takes a Holiday, Michael in Dancing at Lughnasa, Sir Guy of Gisbourne in Sherwood (Collaborative Theatre Project). “A big thank you to my local theatre family for helping me continue to be an artist and a creator. Yeah. Let's put that. That sounds like something I would say.”
Briana is a resident of Medford, OR and joining Oregon Cabaret for the first time. Other regional performance credits include Claire in Proof, Ted in Peter and the Starcatcher, Corine in Triumph of Love (Collaborative Theatre Project); Hodel in Fiddler on the Roof (Rogue Music Theatre); Marcy Park in The 25th Annual Putnam County Spelling Bee (Next Stage Repertory); Marian Paroo in Meredith Willson’s The Music Man (One-Eleven Theatre Company). Production credits include Arsenic and Old Lace (Barnstormer’s Theatre); Children of Eden, Newsies!, Willy Wonka and the Chocolate Factory, Once Upon a Mattress (Asst. director, Teen Musical Theatre of Oregon), Barefoot in the Park, The Fantasticks! (Camelot Theatre); The Lion in Winter (Asst. director, Camelot Theatre). “Thank you to Lauren for the opportunity to be a part of this project.”
Lionel is making his debut appearance with Oregon Cabaret Theatre. Other regional credits include Jimmy Ray in Bright Star (Ashland High School), Lucas Beinecke in The Addams Family (Ashland High School), Ensemble in Rodgers and Hamerstein’s Cinderella (Ashland High School); Lost Boy in Peter Pan (Camelot Theatre), The Artful Dodger in Oliver! (Camelot Theatre); Fairy/Ensemble in A Midsummer Night’s Dream (Oregon Shakespeare Festival).
Understudies and the Production Team
Jerry Lukowski Tony Carter*
Dave Bukatinsky Erin Monks, Redge Palmer
Harold/Teddy/Ensemble Daniel Olson, Rick Robinson
Malcolm/Ethan Samuel Rose
Horse Simmons August Gabriel, Keenon Hooks
Pam/Georgie Chloe Boyan
Vicki Nichols Brianna Gowland
Jeanette Vurmeister Livia Genise
Keno/Ensemble Braydon Simmons
Estelle/Ensemble Julia Gibbs
Nathan (Performs July 2-4) Emmett Sible
Director/Choreographer Lauren Blair
Musical Director Sarah Wussow
Scenic Designer Sara Pisheh
Costume Designer Kristie Mattsson
Lighting Designer Aja Jackson^
Sound Designer Kimberly Carbone
Prop Designer James Paul Xavier
Production Stage Manager Julie Bangs*
Technical Director Spencer Funk
Tracks Created By Karl Iverson
Assistant Stage Manager Dinah Greenfield
AD/Intimacy Coordinator Brianna Gowland
Assistant Lighting Designer Celeste Delgadillo
Assistant Costume Designer Annie Eismann
Master Carpenter Janny Hernandez
Master Electricians Shae Mercer, Anna Williamson
Scenic Charge Nate Brackney
Sound Engineer Joe Balstreri, Shelby
Light Crew Charles Baldwin, Madison Hamilton, Elise Bellamy, Herb Evans
Scenic/Load in Crew Janny Hernandez, Raef Wheaton, Christopher Burkhardt, Kristen Samek, Trevor Hemmerling,Derek Montes, Daniel Martinez, Alfred Rudolph
Stitchers Nathan Ynacay, CJ Reid
Stage Manager Cover Haley Forsyth
Assistant Stage Manager Cover Zoe Krause
ASL Interpreted Performance July 30th - Matinee
Interpreted by: David Evans, Denise Herrera, Cassie Lang
ASL/Sign Coach: Darren Frazier
*Appearing through an agreement with Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States
^Member Local USA 829, United Scenic Artists, IATSE, a labor union and professional Association of Designers, Artists, and Craftspeople