Professionals wantedPerform in Ashland, OR - the West Coast's premier theatre town
Union and Non-Union Contracts Available
AEA Dinner Theatre Tier One Contract
Non-Union Weekly Salary
Sept 19th and 20th, 2023
Must apply through Actors Access
October 6th, 2023
AEA Required Equity Principal Audition Call
9am to 5pm
At the AEA Offices in Los Angeles
By appointment only at the Southern Oregon Theatre Auditions
Oct 1st and Oct 3rd - 5pm to 10pm
Book your audition slot here: https://sotas.simplybook.me/v2/#book
This is not an open call.
Auditions must be scheduled through the SOTAs
The link for the SOTA appointments will be ready to be accessed on September 18th Appointments will go live at that time.
Go to their Facebook Page for more information.
For questions please email firstname.lastname@example.org
Videos will be accepted until Oct 3rd.
Video must include one 60 second comedic monologue
16 to 32 bars of any song from a musical
OR - two 60 second monologues (If not singing)
Please email videos - by an Unlisted YouTube link - to the email address below and make sure to include your headshot, resume, and any links to a website etc.
The Following Roles are available for casting:
WADSWORTH: A traditional British butler in every sense: uptight, formal, and “by the book.” He is the driving force in the play.
YVETTE: A loyal and sexy French maid.
MISS SCARLET: A dry, sardonic D.C. madam, more interested in secrets than sex.
MRS. PEACOCK: The wealthy wife of a Senator. A bit batty, neurotic, and quick to hysteria.
MRS. WHITE: A pale, morbid, and tragic woman. Mrs. White may or may not be the murderer of her five ex-husbands.
COLONEL MUSTARD: A puffy, pompous, dense, blow-hard of a military man.
PROFESSOR PLUM: An arrogant academic, easily impressed by himself.
- GREEN: A timid, yet officious, rule follower. He’s awfully anxious.
THE COOK: A gruff woman with a threatening presence. (Alive and Dead)
SINGING TELEGRAM GIRL: A tap dancer with a heart of gold. (Alive and Dead)
AUXILIARY SCARLET: The back of Miss Scarlet during a scene of theatrical trickery.
BACKUP COP: Backup for the chief, in the very final Cop entrance.
ENSEMBLE MAN 1/UNDERSTUDY
- BODDY: A slick, Frank Sinatra, film noir-sequence type fella. (Alive and Dead)
THE MOTORIST: A professional driver. (Alive and Dead)
CHIEF OF POLICE: A cop who helps save the day.
ENSEMBLE MAN 2/UNDERSTUDY
THE UNEXPECTED COP: A regular Joe. (Alive and Dead)
BACKUP COP: Backup for the chief.
AUXILIARY MUSTARD: The back of Colonel Mustard during a scene of theatrical trickery
ALL UNDERSTUDY POSITIONS
LITTLE SHOP OF HORRORS
SEYMOUR: Masculine presenting. Mid 20’s to early 30’s. Tenor. A menial laborer at Mushnik’s Flower Shop, Seymour Krelborn is the improbable hero of the story. Nebbish-like and insecure, he is naive and feels much put-upon. In spite of his flaws, he’s sweet and well-meaning. Seymour is the owner of the carnivorous plant, Audrey II.
AUDREY: Femme presenting. Late 20’s to late 30’s. Mezzo belter. The gum-snapping, bleached-blond secret love of Seymour’s life, Audrey works with Seymour at the flower shop. Lacking in education and self-esteem, she suffers from feelings of hopelessness at her situation in life, including her abusive relationship with her boyfriend, Orin Scrivello.
- MUSHNIK: Masculine presenting. Mid 40’s to Late 60’s. Bari/Tenor. Owner of Mushnik’s Flower Shop, a failing business on Skid Row, Mr. Mushnik is given to cursing in Yiddish. He is a man who seldom smiles and often yells.
AUDREY II: Bass/Baritone. A wise-cracking anthropomorphic cross between a Venus flytrap and an avocado with teeth, Audrey II is Seymour’s favorite and soon-famous plant. Still in design talks about this role being an onstage presence.
CHIFFON: Mid 20’s to late 30’s. Soprano. Femme presenting “street urchin” who function as participants in the action and as “doo-wop” chorus girls outside it.
ALL UNDERSTUDY POSITIONS
The quintessential Valley Girl who follows her ex-boyfriend to Harvard Law School and realizes that she has more to offer than just a pretty face and a bubbly personality.
Femme Presenting. Age: early 20s. Vocal Range: Gb2-G5.
MARGOT, SERENA & PILAR
Delta Nu Sorority Sisters
WARNER HUNTINGTON III
A good-looking but shallow guy who breaks Elle’s heart, and heads to Harvard Law. Will also play other roles as needed.
Masculine Presenting. Age: early 20s. Vocal Range: Eb3-Ab4
A smart, savvy, and uptight law student and Warner's fiance who initially dismisses Elle, but grows to be her friend. Will also play other roles as needed.
Femme Presenting. Age: early 20s. Vocal Range: A3-F5.
A smart and sensitive law student who takes Elle under his wing. He is charming, quirky, loveable, and friendly. Will also play other roles as needed.
Masculine Presenting. Age: late 20s. Vocal Range: B2-A4.
A brash, caring, optimistic hair stylist who is friends with Elle and longs to find a man for herself. Will also play other roles as needed.
Femme Presenting. Age: 30s/40s. Vocal range: A3-A5.
An exercise video mogul and a former sorority girl. She is energetic and charismatic, yet currently on trial for murder. Will also play other roles as needed.
Femme Presenting. Age: late 20s/early 30s, Vocal Range A3-G5
KYLE B O’BOYLE/ENSEMBLE
AARON SCHULTZ/ GRAND MASTER CHAD/ CARLOS/ENSEMBLE
SUNDEEP PADAMADAN/ NIKOS/ENSEMBLE
SHERLOCK: A STUDY IN SCARLET
ACTOR 2/AS CAST - 25 to 40 to play multiple roles. Femme presenting.
ACTOR 3/AS CAST - 35 to 60 to play multiple roles. Masculine presenting.
PINE MOUNTAIN LODGE
Danny - 30 to 38 - Tenor - Masculine presenting. Gene Kelly type dancer. Tapper.
George - 40 to 55 - Baritone/Tenor - Masculine presenting. Comedian, dancer (must tap), singer. A song and dance team Fred Astaire type.
Send all casting inquiries to our Casting Director at email@example.com
Oregon Cabaret Theatre is a professional theatre in Ashland, Oregon, just one block from the Oregon Shakespeare Festival. Our theatre is unique and elegant, housed in a beautifully renovated church with table-seating on tiered levels and balcony. We have built a reputation for producing top-quality shows with superb talent and high production values. We pay competitive salaries to AEA and non-union performers. OCT provides its out of town performers with housing and a travel stipend. Follow us on twitter or instagram - @oregoncabaret - to get the latest Cabaret casting notices and news.